#PLAY DOWN BY MARIAN HILL ON THE KEYBOARD DOWNLOAD#Īfter you complete your order, you will receive an order confirmation e-mail where a download link will be presented for you to obtain the notes. In order to transpose click the "notes" icon at the bottom of the viewer. If transposition is available, then various semitones transposition options will appear. If not, the notes icon will remain grayed. Most of our scores are traponsosable, but not all of them so we strongly advise that you check this prior to making your online purchase. You can do this by checking the bottom of the viewer where a "notes" icon is presented. If it is completely white simply click on it and the following options will appear: Original, 1 Semitione, 2 Semitnoes, 3 Semitones, -1 Semitone, -2 Semitones, -3 Semitones. This means if the composers started the song in original key of the score is C, 1 Semitone means transposition into C#.
If you selected -1 Semitone for score originally in C, transposition into B would be made. If your desired notes are transposable, you will be able to transpose them after purchase. * Where transpose of Down sheet music available ( not all our notes can be transposed) & prior to print.īe careful to transpose first then print (or save as PDF). Please check "notes" icon for transpose options. ** Single print order can either print or save as PDF.RIYL: Phantogram, Purity Ring, Trombone Shorty, Jack Garratt, AlunaGeorge If the icon is greyed then these notes can not be transposed. In an era where the mainstream scene is becoming more and more heavily dominated by electronic music, it is assumed that the records with more extravagant production that boast innovative technological prowess are superior. Even Justin Bieber has paired up with the electronic world’s musical titans, Skrillex and Diplo, to produce his mega-hit “Sorry” to accompany the rest of his Purpose album, chock-full of dance anthems that flaunt all of the latest bells and whistles. Philadelphia duo Marian Hill tranquilize the chaos and bring to life a whole new electronic beast with their unique minimalism. Made up of vocalist Samantha Gongol and production artist Jeremy Lloyd, the duo hones in on a unique sound that combines Gongol’s bluesy jazz vocals, dark, minimal production by Lloyd, and some improvised saxophone melodies courtesy of jazz musician Steve Davit. In their debut release, Act One (released Jvia Republic Records/ Photo Finish Records), Marian Hill polish their signature sound with a prowess that solidifies their here-to-stay position in the electronic world as a refreshing new set of talent. “ Down” opens the album, boasting nothing more than a simple piano melody and unaltered vocals. But rest assured, before even a minute is up, fans of the distorted bubbly vocal foreplay that Marian Hill has branded as their own will find themselves satisfied at their minimalistic approach to a beat drop. “ Talk To Me” follows suit and incorporates a faster rhythm, some pops and snaps and various horn tricks. Where the duo truly boasts its ingenuity is in the next track, “ Wild,” where they seem to warp various a cappella techniques, including sounds produced by the mouth and hands.
It’s incredible how such craftsmanship in the studio on just a few simple audio tracks can create a more upbeat and pop-driven tune that coincides with its title. It’s consistent and catchy and surely one of the strongest tracks on the album. “ Bout You” utilizes more colorful synths and is a more personal song, but is not a personal favorite of mine.
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